Digital effects are no match for Tokyo-based designer Tomohiro Okazaki, whose mesmerizing new animation is a striking feat of stop-motion techniques. Using squirts of paint, strips paper, and other household objects, Okazaki deftly manipulates matchsticks into dozens of individual studies that endlessly bend and buckle their basic structure. Each analog distortion sparks a host of others that become increasingly complex and speedy, spanning from simple tricks of the hand to more elaborate clips of exploding match heads and paper morphing into fully formed sticks.
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